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从文类划分看以流派定位作家的传统提纲
论文摘要: 作为诺贝尔文学奖获得者和畅销书作家,斯坦贝克自然成为众多评论家研究的对象,成为20世纪（略）家之一,他的声誉也随之经历了美国文坛上少有的大起大落.有些评论家认为斯坦贝克属于20世纪30年代的社会抗议或无产阶级作家,应划归现实主义行列,他的艺术生命和影响随着那个年代的结束而终结;有些将他划入自然主义流派,作品中把人类动物化的倾向将他推入了最拙劣的自然主义作家一类,其声誉也（略）还有人将他归入浪漫主义、象征主义或地方主义等流派.这种简单化的分类使得斯坦贝克在当代文学语境中处于一种非常尴尬的境地.斯坦贝克实（略）在传统和现代交汇时期的作家,既恪守传统的现实主义基本创作原则,又勇于借鉴现代主义的新兴艺术形式和技巧,矢志不渝地进行革新和试验,其核心就是各种艺术流派技巧的越界和融合. （略）现象引起了我的思考:文学流派的理论和运用是否建立在这样一个前提上,即每个作家必定属于一个流派?如果回答是肯定的,那么向斯坦贝克这样多元化的作家应（略）流派?如果回答是否定的,那么文学流派这种分类方法是否已经失效? 带着这个疑问,我从评论家对文类划分的思考中找到了理论框架.文类问题和流派问题实际上是...
As a Nobel laureate and best-selling author, Steinbeck naturally become th（omitted） subject of many literary critics and is considered as one of the（omitted）roversial writer of 20~(th) century, his literary reputation undergoing （omitted）wns rarely seen in the American literary history. Some critics regarded Steinbeck as a proletarian writer or writer o（omitted）rotests in 1930s and should be classified to realism, thus his artistic career and influence ended with that h（omitted）period. Others grouped h...
目录:Acknowledgements 第4-5页
Abstract in Chinese 第5-7页
Abstract in English 第7-9页
1. Introduction 第12-26页
·Theoretical foundation of the research 第12-19页
·The classical origins of genre study 第12-15页
·Modern genre study: Critical reflections on generic categories 第15-17页
·The functions of genre and its limitations 第17-19页
·Rethinking the issue of classifying writers by literary schools 第19-26页
·The significance and defects of classifying writers by literary schools 第20-22页
·Steinbeck: Which literary school to be fixed in 第22-26页
2. Literary Schools and the Writers 第26-35页
·The historical dimension of literary school 第26-30页
·The structure and formation of literary school 第26-28页
·Literary school: A link between history and writer 第28-30页
·Dialectical relationship between literary school and writers 第30-32页
·Writers: Conformists or innovators 第30-31页
·Classic writer: All-exclusiveness of diversified literary schools 第31-32页
·Steinbeck's views on novel experiment and his multifaceted styles 第32-35页
3. Complexity of the Classification of Literary Schools 第35-49页
·Literary genres: Dynamic entities 第35-39页
·Factors that cause generic change 第36-38页
·The modes of generic change 第38-39页
·The fluidity of literary school 第39-44页
·The transformation of literary school 第40-43页
·The individual styles within artistic commonness 第43-44页
·Cultural context of the formation of Steinbeck's unsettled place 第44-49页
4. Reevaluation of Writer's Identity in Contemporary Literary Context 第49-64页
·Writer's sensitivity to the subtle differences between literary schools 第49-56页
·The coexistence of similar literary schools 第50-53页
·Complementary functions of naturalism and realism in Steinbeck's works 第53-56页
·Writer's integration of artistic devices of multiple literary schools 第56-64页
·The relationship between realism and modernism 第56-59页
·Steinbeck's pluralistic creative methods and the modernity of his literary identity 第59-64页
5. Conclusion 第64-65页
Bibliography 第65-68页
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